As a boy Matthew combed the creek beds and walked the riverbanks
of the Cumberland Plateau. Along the way, he collected fossils from
the pre-cambrian sea bed and Indian artifacts from a millennia of
past civilizations. Upon these objects he meditated, searching for
truth and meaning in an otherwise confused world.
Here,
he came to know that Spirit exists in everything.
Called
by the energy of these ancient hills, he came to Swannanoa Valley
in the fall of 1990 to study at Warren Wilson College. He concentrated
on his connection to the earth by studying organic farming and permaculture,
as well as deepening his understanding of the world's current political
and environmental crises.
Through
activism and scholarship, Matthew soon began to call into question
all forms of physical and economic authority. A new goal rose like
the sun in Matthew's consciousness: to be self-realized, to be one's
own highest Authority. Upon freeing himself of his indentured servitude
at Warren Wilson College, Matthew moved to Asheville to seek culture,
consciousness, and creativity. ("Thus cometh the Surreal Sirkus").
In 1996, the Sirkus was birthed as a creative collaboration between
several friends, fusing sacred ritual, visual art, dance, and original
music. These creative players were bent on breaking new ground.
Moon's
role in the Sirkus has always been diverse. "Everything all
at once!" is his motto. Writer, director, choreographer, set
builder, dancer, musician, and make-up artist are where he's most
comfortable. "I love doing people's makeup", he says.
"Any excuse to put the characters on people's bodies. But really,
there's a storyteller in me, and an installation artist and a radical
poet, and oh yeah, a psychedelic pagan evangelist. All these people
live inside me, and they needed a place to play." |
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It
was during the early days of the Sirkus that the intuitive calligraphy
began to come through in his artwork. Several "seed paintings"
done in water color were the first images in which the characters
presented themselves.
"It just seems to come through me. I love to watch them dance,"
he comments. "It is how the brush wants to move. I asked, 'brush,
how do you want to move?', and these characters just came out,"
he says of his own work. |
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