
Compositions
Biophelia
(2003)
Tome Poems (2002)
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Logos
- Tome Poems (2002)
1.
ELECTRIC LIVING
Though
I generally steer away from the use of pre-recorded loops and samples,
this particular piece is an exercise in sound collage. I took a
number of samples of animals and people and manipulated, stretched,
and effected them. I then arranged them into a sonic collage that
served as a background for improvisation. The idea behind this was
the notion that in our daily life, we are constantly immersed in
an evolving soundtrack, and that only our awareness is required
to transform the randomness of a city street into music. Terrence
McKennna provides the quote toward the end that says "things
ultimately analyzed are shown to be words."
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4.
NONESUCH
"Nonesuch" is based on a traditional English folk tune
which invokes Nature as the Goddess. The traditional lyrics are
as follows:
" And she shall bring the birds in spring,
And dance among the flowers,
In summer's heat her kiss is sweet,
She sings in leafy bowers,
She cuts the grain and harvests the corn,
When the fruits of fall surround her,
Her days grow old in winter's cold,
She draws her cloak around her." |
6.
LADY OF THE LAKE
The Lady of the Lake was, in mythology, the keeper of the
Mysteries of Avalon. My friend Emily Breckheimer needed a piece
of music for a performance she was doing that involved large flaming
sculptures floating on the surface of a lake. I crafted this piece
under her direction, trying to find the most watery sounds I could.
It is in many ways, a devotional offering to the creative power
of the water element.
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7.
THE CASTING OF BONES
This piece was used in a Surreal Sirkus show based on a reworking
of the myth of Orpheus. In the show, Nut, goddess of the night sky,
descends to the underworlds to bring her daughter Gaia back from
death. In this particular scene, the court magician to Hades casts
the bones to determine her fate.
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9.
VARGANSANGEN
This piece was created
as part of a performance piece called Umbilicus about the experience
of birth from the child’s perspective. In composing the sound-track,
I worked very closely with two friends, Elin Ohlsson and Muniyama
who were having a baby at the time.The soundtrack used both parents’
voices as well as a recording of the fetus’ heart beat and
the sound of blood passing through the umbilical cord. The piece
begins with Elin singing a traditional Swedish lullaby to her unborn
child. This sound gradually fades into the sonic environment of
the intra-uterine microcosm. Both parents performed in the productionand
their daughter Mena was born one week later.
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Logos' Tome Poems on CD for only $13 plus $3.85 shipping:
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